Create Gloucestershire brings together people who don’t usually meet—let alone work together—and gives them space to imagine what’s possible.
It’s a creative enterprise with a formal backbone, but its real work happens outside the usual frameworks: in conversations that cross boundaries, in ideas sparked between unlikely allies.
At the centre of this approach is a belief that meaningful change begins when three groups come together: artists and creative thinkers; policy makers and funders; and community volunteers who carry lived experience from places often overlooked.
One of Create Gloucestershire’s most ambitious projects, Culture Matson + Community Chest, began with a simple but radical question: what if residents and artists shaped local investment decisions alongside public officials—not as consultees, but as equals
To test this idea, the Community Chest was launched: a flexible fund for creative programmes, festivals, and experiments that imagine new ways of living and working together.
It’s rooted in Matson, Robinswood, and White City—areas often reduced to statistics about poverty or decline. But behind those numbers are people with deep ties to their neighbourhoods, who support one another, pass on knowledge, and push for change in ways that often go unseen.
The project’s name—Partners in Crime—carries a touch of humour and a pointed message. It signals the rare but powerful alliances forming between artists, residents, and local authorities. When everyone has a seat at the table, decisions feel less remote. Possibility feels closer.
Artists play a unique role in this process. They don’t just illustrate what’s happening—they uncover stories that might otherwise stay hidden. They make visible the things data can’t measure: the pride in a shared meal, the grief behind a shuttered shopfront, the laughter of a festival that no one thought could happen.
Create Gloucestershire holds this space with care. We don’t arrive with answers. We listen, connect, and stay curious. We move between worlds—official and informal—because that’s where change begins to grow. Quietly, steadily, from the ground up.
Gloucester, like many contemporary cities, is shaped by a persistent culture of competition and fragmentation. Systems intended to serve the public often operate in isolation, with limited connection between sectors and communities. Relationships between all the parts involved are often weak or non-existent, leaving little room for shared understanding or coordinated action. This lack of connection breeds mistrust—between institutions and communities, between professionals from different fields, and even within neighbourhoods themselves.
The consequences are felt most acutely in areas already facing social and economic pressure. Community members are frequently positioned as passive recipients of decisions made elsewhere, reinforcing feelings of exclusion and disempowerment. Meanwhile, professionals often lack opportunities to engage meaningfully with those they serve or with peers outside their immediate sphere. Without space to build relationships or explore common ground, assumptions go unchallenged, and the status quo persists.
Efforts to address local challenges are frequently undermined by competition for resources, conflicting agendas, and rigid structures that prioritise control over collaboration. In this environment, trust is scarce, and the potential for more inclusive, creative ways of working remains largely unrealised.
The project seeks to address a deeply rooted culture of competition and fragmentation within public and community systems by fostering collaboration, shared power, and mutual respect. Understanding that trust is essential for systemic change enables new leadership dynamics and more equitable participation, but it cannot be imposed or bought—it must be intentionally and gradually built. The first objective is to create time and space for trust and respect to develop across diverse professional and community backgrounds.
Culture Matson functions as an informal, multi-sector forum where this trust-building occurs. Meeting every six weeks, participants include educators, artists, health professionals, business owners, policy makers, faith leaders, and residents. As relationships strengthen, the group collaboratively delivers the second objective: a series of creative events and festivals in everyday spaces such as schools, parks, churches, and shops. These events are designed not to consult residents but to actively involve them in expressing their aspirations.
The third objective introduced a pilot Community Chest—an open fund designed to support local creative initiatives. Funding decisions are made transparently by the group, with a commitment to only accept unrestricted funds, preserving community autonomy. Initial investment came from NHS, local businesses, and the County Council.
The Culture Matson + Community Chest initiative in Gloucester demonstrates how community-led, creative approaches can shift narratives, challenge stigma, and influence institutional thinking.
In White City, residents have actively rejected externally imposed definitions of deprivation, instead positioning themselves as agents of change.
This self-determination, expressed through creative activity, challenges assumptions about passivity in marginalised areas. Local voices emphasise the importance of defining futures on their own terms, using culture not as an add-on, but as a tool for community-led development.
Feedback from public officials indicates a parallel transformation in institutional attitudes. Health commissioners and other system leaders have recognised the wider benefits of cultural activity beyond its artistic value.
Creative engagement is now seen as contributing to improved health outcomes, social connection, and a strengthened sense of agency. These cumulative effects have prompted a re-evaluation of how public services approach health inequalities and community resilience.
The project has highlighted the importance of investing in relational infrastructure—ongoing support for convening, listening, and maintaining trust across sectors. Informal, open-ended conversations, not immediately tied to funding or problem-solving, have proven to be foundational for building long-term, collaborative relationships.
As a result, the Culture Matson + Community Chest model is gaining wider attention. Its practices are being shared in regional and national forums and are currently being tested in other parts of the city.
Early indications suggest that this approach may offer a replicable framework for place-based investment that is inclusive, relational, and creatively driven.
This model is now informing wider conversations about participatory funding and creative approaches to local governance.